![]() ![]() A one month iLok trial can be downloaded from Dolby Pure conjecture on my part though.īy comparison, Pro Tools Ultimate requires the additional purchase of the US$299 Dolby Atmos Production Suite. I agree that this is very unclear in the documentation & tutes to date from Steinberg I suspect we ‘may’ see some advance on this in a future update perhaps is already built into N11 & that the Dolby Atmos engine is licensed by Steinberg - at least it looks that way by comparison of the various IO to the original Dolby suite. Overall, some far more explicit documentation /tutes would be helpful. ![]() I trust we’ll hear more from Steinberg about this at some point, and perhaps in terms of an update tweak. I also tend to agree, that overall patching, routing & monitoring is much clearer in Pro Tools (Ultimate 2020-11) & seem to be getting marginally better results there in terms of dearVR & binaural mixing. I also agree that the Dolby Atmos Production Suite seems to still be the best for now, & many refer to this elsewhere.ĭearVR Pro & Monitor may well be useful for Ambisonics but am not using those sources here am wanting binaural downmix of Atmos for headphones - speaking of which, until now I’d thought the binaural downmix was an ‘automatic’ part of the Atmos rendering process & where that ‘BIN’ was later decoded as part of consumer playback … this does not appear to be the case here.īack to dearVR, so far (to my ears) the plugs do not seem suited to running in tandem with the Atmos renderer, but better results do seem achievable by conventional patching.
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